Composer Kathryn Salfelder (b.1987) engages late-Medieval and Renaissance polyphony in conversations with 21st-century techniques; she borrows both literally from chansons, motets, and masses, as well as more liberally from Renaissance-era forms and structures.
Her music has been performed by the Minnesota Orchestra, Albany (NY) Symphony, Yale Philharmonia, New England Philharmonic, Boston Musica Viva, United States Air Force Band – Washington D. C., and the Dallas Wind Symphony, and has been featured in over three-hundred concerts at the nation’s leading universities and conservatories. Commissions have included new works for the American Bandmasters Association, New England Conservatory Wind Ensemble, Western Michigan University Wind Symphony, MIT Wind Ensemble, Japan Wind Ensemble Conductors Conference (JWECC), and the Frank L. Battisti 85th Birthday Commission Project.
She is the recipient of the ASCAP/CBDNA Frederick Fennell Prize, ASCAP Morton Gould Young Composer Award, Ithaca College Walter Beeler Memorial Composition Prize, and the United States Air Force Gabriel Award. Three wind band works, Cathedrals, Crossing Parallels, and Reminiscence, are published by Boosey & Hawkes.
Kathryn resides in Cambridge, MA and teaches at MIT, where she serves as Lecturer in Music Theory. In her spare time, she can be found realizing figured bass lines and dabbling at the organ.
DMA, New England Conservatory. MM, Yale School of Music. BM, New England Conservatory. Studies with Michael Gandolfi, Aaron Jay Kernis, and David Lang.